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BPV1663 GALACTIC COWBOYS - LET IT GO double vinyl 637405142433
- Officially licensed from Metal Blade Records
- Limited to just 300 copies Galactic Green double Vinyl Gatefold
- Firs time ever on vinyl!
- Mastered for vinyl by Rob Colwell (Coroner, King's X, Nevermore)
- Artwork by Galactic Cowboys bassist, Monty Colvin
- Uses Monty's artwork from the back tray insert of the CD release
- Produced by Wally Farkas
- Mixed by Alan Doss
- Drums on Let it Go by Jerry Gaskill (King's X)
ABOUT THE VINYL REISSUE
Galactic Cowboys - Let It Go (First-Time Vinyl Release)
Let It Go, the sixth studio album from Galactic Cowboys, arrives on vinyl for the very first time. Officially licensed from Metal Blade Records, this limited edition is pressed on Galactic Green Vinyl with only 300 copies available. This double LP comes in a beautiful gatefold featuring artwork by bassist Monty Colvin, originally from the back tray insert of the CD release, making this vinyl edition a standout for collectors. Mastered for vinyl by Rob Colwell (Coroner, King’s X, Nevermore), the album’s sound is elevated to a whole new level of depth and richness.
Produced by Wally Farkas and mixed by former drummer Alan Doss, Let It Go stands as a bold expression of the band’s creativity. Several tracks, written by Colvin for a solo project, integrate seamlessly into the signature Galactic Cowboys style. Lead vocals from Ben Huggins, Wally Farkas, and Monty Colvin showcase the full range of the band’s talent, with Jerry Gaskill (King’s X) and Wally Farkas adding powerful drum performances throughout the album.
Let It Go opens with a tongue-in-cheek intro hinting at a "new sound for a new millennium," only to dive headfirst into the heavy riffs of "T.I.M.," setting the tone for the entire album. The final track, "The Record Ends," holds the title of the longest track on any Galactic Cowboys album, featuring an eclectic and chaotic mix of sounds and samples that leaves a lasting impression.
This Galactic Green 2-LP Vinyl gatefold edition from Brutal Planet Records highlights the artistry and sonic brilliance of Let It Go, offering a fresh and enhanced listening experience. Limited to just 300 copies, this release is a treasure for both fans and vinyl enthusiasts.
TRACKS
SIDE A
Introduction 1:14
T.I.M 3:34
A Different Way 3:32
Life And Times 4:34
Flag 3:15
SIDE B
Disney's Spinnin' 4:35
Hey Mr 5:51
Another Hill 4:49
Dirty Hands 3:31
Boom! 1:21
Ordinary 2:53
SIDE C
Internalize 2:43
Swimming In December 10:28
Song For Sybo 2:51
Future 3:32
SIDE D
Bucket Of Chicken - A Live Improvisational Jazz Odyssey (Honey) 2:43
The Record Ends 12:34
Introduction/T.I.M./A Different Way/Life And Times/Flag/Disney's Spinnin/Hey Mr/Another Hill/Dirty Hands/Boom!/Ordinary/Internalize/Swimming In December/Song For Sybo/Future/Bucket Of Chicken - A Live Improvisational Jazz Odyssey (Honey)/The Record Ends
Phantom Tollbooth Review (2000)
Thank God for hard rockers with heart and a sense of humor. Let It Go, Galactic Cowboys' 6th full-length album to date, continues their practice of showing both heart and humor in abundance. The opening track, for example, is a curious loop of spoken word introductory bits and hip hop that is truly funnier to hear for yourself than to try to write about. This track ends abruptly as "T.I.M." crashes through the speakers boldly announcing that 2000 is not the year the Cowboys have chosen to alter their signature sound. Big and bold, with an edgy punk spirit, "T.I.M." goes on to take punches at the penchant of talk shows to air people's dirty laundry. The real insight underneath, however, is that a "total inside makeover" is absolutely the spiritual overhaul the "special guests" need to heal their familial woes. The result is both funny and insightful: trademark Galactic Cowboys fare.
The last song, "The Record Ends," concludes with a moment of Spinal Tap proportions, and quite possibly the longest and most absurd song ending in recorded history: all drum rolls and fuzzy guitar noise and nonsense. The fifteen other tracks in between have their amusing bits, too, like the imagery of Walt Disney spinning in his grave on the aptly titled "Disney's Spinnin'," which lambasts the media's obsession with death and evil. Later on "Hey Mr." the Office of the President and the media is taken to task for exaggerating his contributions to our country:
With eloquence on your side (no lie, no way)
Sincerity on your face (alright, ok)
And you look so dignified (no lie, no way)
My doubts are fully displaced (my fears allay)
Trees are greener now
Children laugh out loud
There is peace and harmony again
No pain or poverty
Thanks to your politics
I heard it all on N.P. Radio
Hey Mr., my hat is off to you
My Mr., my hat is off
I owe it all, I owe it all to you.
But, the shucks and hee haws aside, the Galactic Cowboys real gift is their ability to weave their satirically funny bits with the more poignant messages of being responsible for yourself and living a true life under God's loving tutelage.
Alan Doss, the band's former drummer left the band after their last and most ambitious album to date, At the End of the Day, but he's back here contributing from the mixing board. In his place King's X's drummer, Jerry Gaskill, fills in most of the drum parts with great, expected expertise, although the band's axe-man Wally Farkas takes a few turns behind the drum kit as well. (Farkas is also credited as the album's sole producer.) Other than that, the band remains the same and continues to churn out their melodic, yet hard-hitting take on metallic rock. While still managing to try out some new sounds like the instrumental jazz odyssey "Bucket of Chicken," Let It Go sounds consistent with their last few efforts: more soaring, growling chunk-ca-chunk guitar work coupled with clear melodies and harmonies and oodles of creativity in every corner.
Let It Go's only downside is a bit of a pacing problem toward the end, particularly around tracks 13 and 14 when the band experiments with longer keyboard-focused instrumentation in the songs "Swimming in December" and "Song for Sybo." These two lush songs stand in contrast to the more aggressive fare favored throughout the album, and as such feel a bit out of place, yet not entirely unwelcome as a break from the album's overall relentless energy.
Best of all, when some successful bands continue to churn out record after record, the thrust of what they have to say sometimes shifts from being hopeful and clear, to bitter and obscure. These cowboys haven't fallen into the trap of being too artsy or pessimistic for their own good, and, consequently, they continue their legacy of writing and playing relevant, right-on-target rock and roll ready for the year 2000. Steven S. Baldwin 7/29/2000
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